“These screen captures are from a ‘generative’ application designed to alter the composition, arrangement, and color scheme of several drawings. This system recomposes and distributes the drawings within set ranges that I can control. As this is an ongoing project, I am continually adding more images to the library. Eventually I’d like to see these as paintings, though I’ll have to narrow down from the thousands of images it can kick out rather quickly.”

“These screen captures are from a ‘generative’ application designed to alter the composition, arrangement, and color scheme of several drawings. This system recomposes and distributes the drawings within set ranges that I can control. As this is an ongoing project, I am continually adding more images to the library. Eventually I’d like to see these as paintings, though I’ll have to narrow down from the thousands of images it can kick out rather quickly.”

“This is the first image from an ongoing series of ‘ambiguously sterile landscapes.’ It’s every intent to have these images invoke early computer graphics—void of texture and emotion. I particularly enjoy subjecting these futuristic cities to catastrophe, while interjecting common day-to-day experience amidst potential distasters.”

“For an entire evening, I created the anti-hero. Exploring such qualities as ‘douche bag,’ villian, meathead, and jock, conversations were to consist of direct quotes from 80’s movies whenever possible.

Where dialogue was forgotten, I would try to start a fight by dramatizing everything else that was going on around me. Otherwise, if I didn’t have anything to say, I would start singing Joe Esposito’s ‘You’re the Best Around’ from The Karate Kid until people would start a fight with me instead.”